Literary theories
Ebrahim Eghbali; Abasalt AhmadiDizaj; Mohammad Khakpour; Mohammad reza Abedi
Abstract
Enthusiasts of Iranian culture and literature Subcontinental countries, etc. have always been in search of literary inspiration and a correct understanding of Persian Texts, they have been diligent in understanding them, and from their own and others' point of view, they have described works such ...
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Enthusiasts of Iranian culture and literature Subcontinental countries, etc. have always been in search of literary inspiration and a correct understanding of Persian Texts, they have been diligent in understanding them, and from their own and others' point of view, they have described works such as Ganjavi's Nezami Sharafnameh have been paid. In this article, the authors have emphasized the use of words, written morphology and grammar in the manuscripts of Ganjavi's Nezami Sharafnameh, using a library method. They describe them according to their linguistic and stylistic features. The results of this study, after briefly introducing the manuscripts of Sharafnameh's commentaries as scientific-literary texts, show that all the commentators have a good command of the Persian language in view of their geographical area, the Indian subcontinent, and explain the meanings and concepts in simple, comprehensible words and sentences. , explicit, clear and consistent with the standard language of India and even Iran at that time, they have directly transmitted. While writing in a simple way, they used Arabic and native words or the terms of literary techniques and...and avoided exaggeration and the use of synonyms In addition, in the written explanations, grammatical coordinates such as extra descriptive syntactic combinations, Arabic combinations and...are used and the prose has removed them from uniformity, so the style In terms of vocabulary and morphology, in the components of selection, invention and ...they are more in line with the features of Ghaznavid and Seljuk period (intermediate) prose, which indicates that their prose is scientific.
Literary theories
fatemeh jamali; Gellareh Alvandpour; narges mohamadibadr
Abstract
Rumi and Shams Discourse Analysis in the Expression of Love Based on Halliday's TheoryIn the current research, a romantic discourse of Rumi and Shams has been analyzed based on the order of Halliday's role orientation. Examining the text (speech and writing) in discourse analysis takes place beyond ...
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Rumi and Shams Discourse Analysis in the Expression of Love Based on Halliday's TheoryIn the current research, a romantic discourse of Rumi and Shams has been analyzed based on the order of Halliday's role orientation. Examining the text (speech and writing) in discourse analysis takes place beyond the formal structures of the language. In romantic words and texts, according to the speaker's abstract expression, mental images are coded in a special way. The main goal of this research is to find out how emotions are represented in this romantic discourse, as well as to find similarities and possible differences in the expression of their internal feelings. This research answers the question of how the characteristics of Rumi and Shams' romantic speech are determined based on Halliday's role-oriented order. The hypothesis of the research is that Halliday's role-oriented order is efficient in analyzing the discourse of romantic texts. Based on this, a sonnet by Rumi and a romantic expression by Shams Tabrizi have been selected as a case in point so that we can obtain broader dimensions of this discussion. the context of the text in a descriptive-analytical way has been investigated with the help of all three ideological, interpersonal and textual trans-roles. The findings of the research show that the high frequency of the behavioral process in Moulana's sonnet shows his visual experience of his lover and his special attention to the description of his beloved's behavioral states. The high frequency of the existential process in the words of Shams reveals the concept of the existence of this love.
Literary theories
mohammad khosravishakib
Abstract
Mantagh al Tair is one of the prominent mystical works in Persian literature, which in a narrative structure, deals with the story of the quantitative and qualitative calling of "birds of the world" and their collective efforts to search and reach "Simorgh". He used 194 "Anecdote" in the structure of ...
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Mantagh al Tair is one of the prominent mystical works in Persian literature, which in a narrative structure, deals with the story of the quantitative and qualitative calling of "birds of the world" and their collective efforts to search and reach "Simorgh". He used 194 "Anecdote" in the structure of Mantagh al Tair. The question is, what is the role and function of these stories and why does "Attar" insist on using this type of narration? The presupposition is that the story is one of the tools and arrangements needed to shape a collective mobilization, and Attar consciously tries to base the structure of Mantagh al Tair on the "story". The premise is that the "anecdote" facilitates the transformation of the story of "I" into "us" and causes the birds to accompany "Hoopoo". The "anecdote" creates a crisis and extreme urgency. The "anecdote" intensifies the theatrical requirement of the call. The "anecdote" highlights the good and the collective interest of the birds. The "anecdote" builds a common socialization and worldview of birds. "Anecdote" increases the action and persuasion function of language and its persuasive power. The "anecdote" facilitate the fascination and conquest of the birds' minds.
Literary theories
Smaeil Narmashiri; Ishaq Mirbalouchzaei
Abstract
The categories of noumenon(existence) and phenomena(appeared) are considered as important foundations in Immanuel Kant's philosophical system. Through these issues, she has explained the consequence of her philosophical ideas about the unprovability of God noumenon and the recognition and knowledge of ...
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The categories of noumenon(existence) and phenomena(appeared) are considered as important foundations in Immanuel Kant's philosophical system. Through these issues, she has explained the consequence of her philosophical ideas about the unprovability of God noumenon and the recognition and knowledge of the world. Rumi in the discourse of the allegorical genre of the elephant and the dark house seeks to understand the dimensions of appearance and disappearance through the concepts of sensory perception and empirical cognition in parallel with the use of the formation and shaping of the imagination. Since there is no difference between the nature of the power of direct understanding of mysticism and the rational argumentative aspect of philosophy, this article tries to analyze this allegorical discourse based on this scientific understanding.The main question of the research is: was Rumi able to achieve the cognition of the object itself and phenomena through the mediation of imagination and perceptual sensory concepts? The data of this research have been collected by descriptive analytical method using the library study method. In general, the findings of this article show that Rumi, based on the knowledge and intellectual system of mysticism, has acted in line with the epistemological dimensions of the noumenon of God and the phenomena of the objects. Of course, he has tried hard to observe the issue of understanding time by creating a logical and coherent satiety.
Literary theories
Golrokh Kiani; MohamadAli khazanedarloo; AliReza Nikooei
Abstract
Time is one of the basic issues in thematic criticism, and among the critics of this field, Georges Poulet pays more attention to the components of time and place. The main focus of Poole's criticism is to explore and investigate how to communicate with the outside world, which is done by emphasizing ...
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Time is one of the basic issues in thematic criticism, and among the critics of this field, Georges Poulet pays more attention to the components of time and place. The main focus of Poole's criticism is to explore and investigate how to communicate with the outside world, which is done by emphasizing the components of time and place.Bidel Dehlavi's emphasis on "time" and "becoming" and its epistemological aspects in his works are one of the main components of his thought.Biddle creates a surrealistic atmosphere in his lyrical poems through symbols, images and metaphors and presents his different perception of time which is in accordance with his mystical worldview. This research aims to show the philosophical and mystical foundations of Biddle's understanding of time, that is, the idea of the unity of existence and Indian wisdom, while drawing the conceptual correlates of time and its image network.The present article examines the concepts and images related to the category of time in Bidel Dehlavi's poems with a descriptive-analytical method, and with a thematic criticism approach based on the centrality of thoughts Puleh, Bidel's perception of the present, past and future is examined in the mirror of repeated images. The result of this research is that Bidel values meditation, revelation, reflection and intuition according to the teachings of Indian wisdom and Islamic mysticism, and the high frequency of words such asmoment and other similar compoundsIt shows Biddle's attention to the category of time.
Literary theories
fatemeh hayatdavoodi; mohammad hassan hassanzadeh; asad abshirini
Abstract
Ecopsychology studies human psyche in relation to environment. Psychology, which is based on Freud's theory of personality structure, is product of mutual, interactive and conflicting relationship between three factors of Id, ego and superego. Of course, ecopsychology is opposed to Freud's views when ...
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Ecopsychology studies human psyche in relation to environment. Psychology, which is based on Freud's theory of personality structure, is product of mutual, interactive and conflicting relationship between three factors of Id, ego and superego. Of course, ecopsychology is opposed to Freud's views when it emphasizes introduction of God into individual's worldview. Now, with a descriptive-analytical method, we will deal with question of what effect nature has had on spirit and behavior and actions of people in fictional community of Empty Place of Solouch of Dolatabadi? To show the dominance of nous that such crises have created in personality structure of Solouch family and caused balance of their ego to be disturbed. The results of research show that dominance of nous in this novel, with mechanization of agriculture by Mirza Hassan, regardless of its compatibility with environment and its people, Solouch with chaotic impulses of "id", Mergan with grief and Makholia Abrav with inability of his "ego" to balance between "id", "superself" and outside world, Abbas with antisocial personality disorder and Hagar has faced dependent personality disorder. In fact, the dominance of nous, because it was used without considering the resilience of the environment and people of that region, has upset the ego balance of the novel's characters and caused them to have personality disorders that cause of such disturbances can be seen in lack of unconscious emotional participation of characters of novel with natural phenomena influenced by capitalist world and humanism of Enlightenment era.
Literary theories
Fatemeh Mozafari; Firouzeh Ameri; Efat sadat Hosseini
Abstract
Some feminists believe that Foucault has not specified which gender dominates the other and which gender is dominated in the genealogy of power. Accordingly, by combining the Foucauldian concept of power with feminism, they have created Foucauldian feminism to give a convincing answer to the issue of ...
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Some feminists believe that Foucault has not specified which gender dominates the other and which gender is dominated in the genealogy of power. Accordingly, by combining the Foucauldian concept of power with feminism, they have created Foucauldian feminism to give a convincing answer to the issue of domination in gender relations. The theorists of this approach believe that gender is not essential or biological; Rather, it is produced and induced by subjects by authorities of society. For this reason, after accepting the constructed ideals of femininity as true discourses, the subjects voluntarily engage in self-disciplining which is obedience to the patriarchal system. Therefore, feminists try to resist internalized norms of femininity and give freedom to women. In fact, this study attempts to introduce the basics of Foucauldian feminism to those who are interested in literary criticism and increases the audience’s awareness of the modernization of patriarchal power. It also demonstrates that Sadegh Hedayat in “The Doll Behind the Curtain,” has also drawn the characteristics of the ideal woman of the modern patriarchal society by describing the fascination of the main character, Mehrdad, towards the statue woman. In addition, with the characterization of a girl, named Derakhshande, he displays that the women seek to discover gender discourses produced by powers and to apply disciplinary techniques to themselves so that they can attract men’s attention.
Literary theories
Sayyed Ahmad Parsa; Negin Rostami
Abstract
Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective ...
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Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective of their functions by using Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective of their functions by usingJari and Matching. The research method is descriptive-analytical. The statistical population is 207 poems of Divan Anvari, Modarres Razavi correction and sample size according to Cochran's formula 132 poems that have been selected using simple random sampling method. The result shows that Anwari has adapted the Qur'anic concepts and themes to his desired subjects by using the Jerry rule and applying the verses; In such a way that the final theme of his poem is far from the dignity of the true revelation of verses. In other words, he has used Qur'anic concepts with functions such as persuading the audience, magnifying, reasoning, expressing his discourse, and the like, in a concise and adaptive manner in his poems, which are discussed in detail in the text of the article.
Literary theories
mehdi bagheri; mohammad Khakpoor; mohammad mahdipour
Abstract
The criticism of prominent works have been common in all periods, and the importance of research in this field is not less than the value of created works. In the twelfth century AH, Imam Bakhsh Sahbai was one of the critics who inherited literary theories such as Munir Lahori, Azad Belgrami and Siraj-ud-Din ...
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The criticism of prominent works have been common in all periods, and the importance of research in this field is not less than the value of created works. In the twelfth century AH, Imam Bakhsh Sahbai was one of the critics who inherited literary theories such as Munir Lahori, Azad Belgrami and Siraj-ud-Din Ali Khan Arzu, incorporating into the formation of his unique literary orientation in the subcontinent. The treatise "Sharh-i-Se Nathr-i-Zuhuri" is one of the works that can be considered as the crystallization of new ideas Sahbaian that has been obtained as a result of analysis and critique of linguistic and rhetorical elements of this treatise. The outstanding feature of Sahbai's views in the field of literary criticism lies in its novelty, scientific orientation, and coherence. Among his stylistic features are manifestations of deviation from the apparent requirement (placing the manifestation in the implicit position), using the word stopped on hearing or analogy, dokhana (aware of two inertia), verisimilitude (metaphorical ambiguous metaphor), relation of words in speech, and neologism. Many of the terms in her work are the primary form of interpretation used today in modern literary criticism schools around the world; as he uses "wording" almost in the sense of texture, and "skeleton" in the sense of structure. Sahbai considers the value of metaphor in literary creations to be dependent upon its complexity and elaboration and its application in literary works. Adopting an analytical-descriptive approach, this article seeks to illustrate the unique, innovative perspective accompanying Sahbaian literary criticism
Literary theories
Hiva Hasanpour; touraj khosravi shaabaani
Abstract
Literary discourse analysis refers to the analysis of linguistic and meta-linguistic data of a literary text to reach different concepts and interpretations. This research, in a descriptive-analytical way, has investigated and analyzed the novel The Marde gereftar from the perspective of analyzing its ...
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Literary discourse analysis refers to the analysis of linguistic and meta-linguistic data of a literary text to reach different concepts and interpretations. This research, in a descriptive-analytical way, has investigated and analyzed the novel The Marde gereftar from the perspective of analyzing its ruling discourse. The necessity of conducting this research is that it shows that the literary text is not only linguistic and aesthetic data, and it is possible to obtain different interpretations and perceptions of it through linguistic and meta-linguistic data. This research was done in a descriptive and analytical way and based on library sources. In terms of discourse, this story can be classified into three parts: dominant discourse, new discourse and failure of new discourse. The discourse of power, by monotonizing language and society and suppressing dialogue and other communication, takes a step towards expanding power and consolidating it as much as possible, which itself has a great impact on the construction of society and homogenous subjects. Finally, since no discourse can fully establish itself, a new discourse emerges in opposition to the prevailing discourse, which is represented by the first character of the story. By producing a new discourse, one of the essentials of which is a new identity, the subject finds a new identity and gradually the previous discourse is marginalized.
Literary theories
Ehsan Khanisomar; Mosa Parnian; Khalil Baygzade
Abstract
One of issues in narratology is the issue of focalization. Gerard Genet chose centralization as a superior view from a perspective that is a transcendental concept of visual side. This perspective is a point of view through which a lot of information is implicitly seen, felt, understood and evaluated. ...
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One of issues in narratology is the issue of focalization. Gerard Genet chose centralization as a superior view from a perspective that is a transcendental concept of visual side. This perspective is a point of view through which a lot of information is implicitly seen, felt, understood and evaluated. This research with the descriptive-analytical method is used to introduce focalization, its types and aspects in the popular novel Qeydar to examine the narrative information and to organize the validity of this work. The results of this research show that in terms of perception, in the narration of this work, there are two types of focalizer, "external" and "internal" with a position of limited and unlimited focalizers are interacting. The time of this novel is linear. Continuation of events except in the two fifth and ninth chapters, they are retold and most events have a singular frequency. Psychologically, the feelings of the hero of this work can be equated with the feelings of the author. The ideology that governs the atmosphere of Qeydar's novel, which shows the ideology of the author of this work, seeks to introduce the ideal character of Iranian society; a gentle personality a hero, a believer, a fighter and committed to the homeland, of which Qeydar is the supreme example. Amirkhani using the diversity in focalization and addressing the disturbed climate has brought the narration of Qeydar's novel closer to the social reality and has increased its credibility with the audience.
Literary theories
Mohamamd MOHAMMADI-AGHDASH; Behnam Moharamzadeh
Abstract
تحلیل گفتمان انتقادی شاخهای جدید و بین رشتهای در علوم انسانی و بالاخص در حوزه نقد زبانشناختی است که در سالهای اخیر توسعه بیشتری پیدا کرده و در تحلیل مسائل مختلف ...
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تحلیل گفتمان انتقادی شاخهای جدید و بین رشتهای در علوم انسانی و بالاخص در حوزه نقد زبانشناختی است که در سالهای اخیر توسعه بیشتری پیدا کرده و در تحلیل مسائل مختلف سیاسی- اجتماعی و البته متون ادبی خودنمایی میکند. نورمن فرکلاف نظریه پرداز و بنیانگذار این جریان فلسفی-زبانشناختی در اواخر قرن بیستم میلادی با دریافت و گذر از نظریات نشانهشناسی، تأویلگرایی گادامر، دیرینهشناسی میشل فوکو و با رد آراء صرفا اقتصادگرایانهی نئوکمونیستها و با نگاهی به پساساختارگرایی دریدایی توانست مفهوم گفتمان قدرت و مردم را از طریق ساختهای ایدئولوژیک به دستآمده از صورتهای زبانی تازگی ببخشد.مقالهی حاضر میکوشد با رویکردی تطبیقی، مفهوم کلیدی و کلان مدرنیته را در بافت موقعیتی رمانهای مدیر مدرسه از جلال آل احمد و سفر به انتهای شبِ لویی-فردینان سِلین فرانسوی، که اصطلاح مدرنیته به عنوان گفتمان قدرت در رمانهای نیمه اتوبیوگرافیک (خود زندگینامه) مذکور در تضاد با گفتمان رسمی قهرمانهای داستان است، بر اساس رویکرد نظری نورمن فرکلاف تحلیل و بررسی کند. باید گفت که آل احمد در مدیر مدرسه قصد انتقاد از عواقب جامعهای را دارد که غربزده شده و به تقلید از مدرنیتهی غربی اخلاق، معنویات و فرهنگ سنتی را به فراموشی سپردهاست. سِلین نیز در سفر به انتهای شب با دنیای پست مدرن غرب و گفتمان مدرنیته که در جایگاه گفتمان قدرت قرار دارد، رسم و رسوم جاری بین افراد جامعه را، که تحت تاثیر پدیدهی مدرنیزاسیون دولتی و ظهور بیش از پیش ماشینهای صنعتی هویت انسانی خود را باختهاند، در قالب جملات قصار و لحن عامیانه به دیدهی تحقیر مینگرد.
Literary theories
sedegeh kobra sadagiyani; Hamid Reza Farzi; Nasser Dashtpayma
Abstract
Time is a significant and essential component in the creation of a novel. It has such a fundamental position in narrative, some critics believe that the most significant feature of narrative identification is its time. The authors’ playing with time increase the attractiveness of narrative, and ...
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Time is a significant and essential component in the creation of a novel. It has such a fundamental position in narrative, some critics believe that the most significant feature of narrative identification is its time. The authors’ playing with time increase the attractiveness of narrative, and indicates the way s/he chooses the events. By going through the authors’ playing with time, we realize the significance of an event in the author's view to achieve her/his goal. Genette, French structuralist theorist, has played a significant role in the development of the concept of time in narrative, as one of the important components of the advancement of narrative. Considering this issue, the present research paper has explored affecting factors on the speed of narrative, through a descriptive-analytical approach in Sa'edi’s Smiling Tatar in the light of Genette's Narratology. The speed of narrative is explored to find out the duration of actions/events over time and find out what the portion of a book is devoted to them in a specific span of time. The results of this research indicate that in Sa'edi’s Smiling Tatar, the author creates a modern story by creating a narrative, based on non-linear structure, in which the element of the time is very cardinal. Based on the concept of time in Genette's narratology, it can be concluded that in different parts of Sa'edi’s Smiling Tatar, due to having a lot of reducing factors of the text narrative speed, the validity is negative and the speed of narration is slow.
Literary theories
behdad beyranvand; Jamileh Akhyani; Amir Momeni Hezaveh
Abstract
"Other" is a concept related to individual identity, and individual identity only makes sense when it is weighed against others. The concept of the "other" is the result of the epistemology and ontology of modern man, which has a different life and experience from that of ancient man. This concept entered ...
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"Other" is a concept related to individual identity, and individual identity only makes sense when it is weighed against others. The concept of the "other" is the result of the epistemology and ontology of modern man, which has a different life and experience from that of ancient man. This concept entered literature with the theory of the logic of Bakhtin's dialogue and opened a new window to literary works. One type of literature in which this concept can be explored and has not yet been considered is the "parable", which leads to the omission of the "other" due to the lack of dialogue. Proverbs have been widely used as a linguistic feature and literary genre in the works of Persian writers; but there are those whose words have become proverbs. Sadi is one of these writers. By accurately recognizing the specific capacities of the parable, he presents many of his words as parables and in this way conveys his views to others. In the present study, while analyzing The Proverb structure, its features are related to the elimination of "other" such as: "using proximity magic", "addressing", "warning", "using the names of famous people", "using humor", and ... Sadi's method of use of this type of literature is examined in order to eliminate the "other" and induce speech artistically to others in Golestan and Bustan.
Literary theories
fazlollah khodadadi
Abstract
Contemplation on the narratives of the military secret reservoir shows that the whole structure of this work is a discourse consisting of twenty articles on various topics. .Paid. From the point of view of sign-semantics, what seems important in this discourse is the method of arrangement and semantic ...
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Contemplation on the narratives of the military secret reservoir shows that the whole structure of this work is a discourse consisting of twenty articles on various topics. .Paid. From the point of view of sign-semantics, what seems important in this discourse is the method of arrangement and semantic development of the poet's words, because in each article he starts from generalities and gradually - especially in the final verses of each article - moves his speech towards the artist. Which then brings an anecdote related to the subject and meaning of the discourse of the article, and in doing so, in addition to giving new meaning to the discourse, provides a platform for the expansion and proof of the meaning of the discourse. The purpose of this study is to analyze the process of expansion and proof of meaning in the discourse of the repository of secrets, so the author has used the theory of "semantic methodology" by Vincent Zhou (1997) to prove the claims and also to scientifize the results. The results of the present study, which are provided in a descriptive-analytical manner, show that in the article, the system in the repository of secrets first brings general information in a discourse with a specific space, then by limiting the scope of speech, connects its speech to an anecdote. A fictional character confirms and expands the meaning and content of the discourse in that article.
Literary theories
Assadollah Vahed; mohamad ali karamfar
Abstract
The Safavid era is one of the most important periods in the history of Persian language and literature, and valuable works of poets and cultural geography literature of this period have been remembered. The cultural sphere of the Indian subcontinent and Central Asia was more important in this era, and ...
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The Safavid era is one of the most important periods in the history of Persian language and literature, and valuable works of poets and cultural geography literature of this period have been remembered. The cultural sphere of the Indian subcontinent and Central Asia was more important in this era, and the contribution of Indian scholars in the field of vocabulary, criticism and linguistics was sometimes greater than that of Iranian writers. One of the most prominent literary figures of the subcontinent, Siraj-ud-Din Ali Khan Arzoust, who has rendered valuable services to Persian literature by composing more than twenty works. Fruitful is one of his valuable works. In this book, Arezoo talks about linguistic issues, phonological processes of exchange, heart, decrease and increase of phonology, and Iranian acquisitions in Arabic and Hindi words. In writing this work, he has commented on the book of Al-Muzahar Suyuti. Arezoo is one of the pioneers in the field of linguistics and one of the first to realize the harmony between Persian and Hindi. This work is a chapter on the compatibility and agreement of Persian and Arabic, Persian and Hindi and Tafris, and the compatibility of Persian and Hindi words has been studied from various angles, and in addition, throughout this work, several words are used according to the issues raised. In this article, the authors intend to provide the audience with a perspective on the mechanisms of Persian and Hindi language by presenting evidence to the audience.
Literary theories
Malihe hadidi; shahrbanoo sahabi; Jalil Amirpour Daryani
Abstract
Mystical – Old pattern criticism is one of modern critical surveys , which it was changed during 20th century by presenting Young’s theories. One of methods for Young’s criticism proponents in analysis narrative literature texts is investigating Pirang’s stories and examples with ...
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Mystical – Old pattern criticism is one of modern critical surveys , which it was changed during 20th century by presenting Young’s theories. One of methods for Young’s criticism proponents in analysis narrative literature texts is investigating Pirang’s stories and examples with Old pattern events. In current study , we have been investigated Physician Borzooyeh unique character , his mental evolution as a narrative hero , reality follower human with Old pattern criticism and new method with 2 consequences of Pirang’s. Borzooyeh ( Hero) life according to pagoda consequence during first and second life stages was accompanied with mental challenges and adventure. (Midlife crisis) He researched about religion follower and life correct path selection in mental struggle stage and also he avoided medical science ( mask) and prevented moral rogues ( shadow) and he chose good actions and virtue regarding and he went to India dangerous trip( unconscious) by inviting Anooshiravan ( ambassador) and Pirang’s conduct. He searched books ( growth and totality ) in special territory and by helping assistant and guidance of trustworthy friend ( Old wise) achieved Indian books treasure and he gifted their for territory people. In returning to Iran ; trip cycle was completed from own to himself and he proved mental evolution by refusing of award acceptance and he showed himself individuality and mental growth complete process and he reached to supreme and amplitude degree.
