نوع مقاله : مقاله پژوهشی
نویسندگان
1 دکتری و پژوهشگر مستقل در زبان و ادبیات فارسی
2 استاد مدعو دانشگاه مک گیل
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
During the period of the Iranian Literary Society, revision of texts were considered integral components of literary research. Concurrently, Hassan Vahid Dastgerdi, a poet, critic, and magazine editor, published his literary studies in two domains: theoretical and practical criticism, with a primary focus on the works of Nizami Ganjavi in the magazine Armaghan. By examining his efforts to revise Nizami’s Khamseh (Quintet) as a cultural asset, this study addresses the role of reverse Iranology in the emendation and processing of literary texts. It demonstrates that Vahid Dastgerdi’s skepticism toward the literary methods of European orientalists forms the basis for discussing the theoretical advancements made by textual emendators. This skepticism, particularly after engaging with Helmut Ritter’s scholarly-critical framework and meeting Jan Rypka at the Ferdowsi Millennial Congress, highlights Dastgerdi’s reversal of orientation. The research method involves qualitative content analysis, with data collected from old manuscripts of Haft Peykar (The Seven Beauties) and its printed editions, as well as other relevant sources. The study explores how Dastgerdi’s national rethinking of the Khamseh revision in a European style, aligned with literary theory and criticism in Armaghan, connects with themes such as “Vahid’s mythical thinking as a poet turned critic,” “the poetic nature of the Khamseh and the chaotic state of its manuscripts,” and “the convergence of European scientific-critical tools with local traditions” during his time. This intervention contributed to the localization of textual critique and revision within Persian literary heritage.
Keywords: Reverse Iranology, Vahid Dastgerdi, Nizami Ganjavi, Khamseh (Five Romance Poems), Poetics, Emendation
کلیدواژهها [English]
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