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Volume 1 ()
Juvenility in Sohrab Sepehri’s Poetry

Abbas Baghinejad; Naser Alizadeh

Volume 68, Issue 231 , January 0, Pages 1-15

Abstract
  Juvenility in Sohrab Sepehri’s poetry, the contemporary poet, is a prominent aspect which is discernible in different forms of his poetry. He takes advantage of his childhood recollections in diverse modes to espouse the grounds of his poetry. His congenial and candid tone which remains unadorned ...  Read More

An Image of Oppression and Oppressor in Parvin Etesami’s Political Views

Mohammadbager Bahadori; Afsaneh Salmani

Volume 68, Issue 231 , January 0, Pages 17-40

Abstract
  Parvin is the Persian literature’s shining star. The beautiful form and rich content of her poems are not hidden to any researcher. To this end, numerous subject matters and topics of her anthology which contain elegant and thoughtful resources necessitate to be searched which the current paper ...  Read More

Narrative in “Her Eyes” from the perspective of Gerard Genette

Mohammad Pashaei

Volume 68, Issue 231 , January 0, Pages 41-58

Abstract
  “Her Eyes” is the first great novels written by BozorgAlavi. The sequences of the events are not chronological, and the narrator begins to narrate the story from the end of the story, and he employs different styles in narration. This article tries to analyze the narrative of “Her Eyes” ...  Read More

imagism in Ahmadreza Ahmadi’s poetry

Zahra abdi goraby; Abbas khaefi; seyyed hassan seyyed torabi

Volume 68, Issue 231 , January 0, Pages 59-76

Abstract
  Imagism or modern imagism is a set of images with vivid abstract and unrelated shapes which come together as cinematic editions. Imagist poets were effected by a kind of Japanese small and lyric poem and seventeen syllabic that named “Haiko” and the language of this poets is near to colloquial ...  Read More

Spacing in nizami poems

Firouz Fazeli; Mohammad Mohammad

Volume 68, Issue 231 , January 0, Pages 77-108

Abstract
  dramatic Spacing was first introduced by the german playwright and director, brecht, but the origin of this term stems from the divisions in epic and tragedy presented by plato and Aristotle. Aristotle considered tragedy as dramatic and epic as narrative. since brecht believed that the illusion of reality ...  Read More

An Analysis of the Structure and Themes of Shahriar’s Qasidas

Mohammad Mahdipour; Mohammad Khakpour; Khadijeh Pourzeyni

Volume 68, Issue 231 , January 0, Pages 109-136

Abstract
  Qasida as a genre of Persian poetry flourished up to the late 6th century AH, and the 7th century AH marked the beginning of a period of its temporal decline. Inspired by certain social developments, however, this poetic form revived in the Constitutional Period with its authentic, traditional norms. ...  Read More

The influence of Persian language and literature on Othman Divani literature

Assadollah vahed; Mir Jalil Akrami; Mahnaz Samandari

Volume 68, Issue 231 , January 0, Pages 137-155

Abstract
  Interaction, effect and influence of culture, language and literature among different nationalities in unavoidable. Considering effecting on other cultures and languages and at the same time, being impressionable from them, has a long term and noticeable history for Persian language and literature. Turkish ...  Read More