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علمی- پژوهشی
Contemporary Poetry of Iran
Mahsa AmjadiTanouraghaj; Ebrahim Eqbali
Abstract
This paper gives an insight to aesthetics from the viewpoint of conceptual metaphor theory to analyze the aesthetics in the poetry of Sohrab Sepehri. With regard to Ullmann’s hierarchy of senses some of cognitive science researchers have considered aesthetics as a type of conceptual metaphors; ...
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This paper gives an insight to aesthetics from the viewpoint of conceptual metaphor theory to analyze the aesthetics in the poetry of Sohrab Sepehri. With regard to Ullmann’s hierarchy of senses some of cognitive science researchers have considered aesthetics as a type of conceptual metaphors; like in a conceptual metaphor, where a concrete conceptual domain is mapped to an abstract one in order to clarify and enrich it, in aesthetics, elements regarding weaker senses are mapped to the domain of stronger senses to give a richer understanding of concepts.
This paper tries to review frequent aesthetic constructs in Sepehri’s poetry with an analytical method to show the embodiment implied in his apparently abstract work. Investigating multiple poems of Sepehri show that almost all of his aesthetic constructs are instances of conceptual metaphors. In other words, all his aesthetic constructs give embodiments of abstract concepts and thus, his poetry is genuinely embodied and earthly, despite its abstract appearance.
علمی- پژوهشی
Lyrical and Didactic Literature
rashid asadi valiloo; Mohammad Ali Mousazadeh
Abstract
When dealing with a literary text, what is assumed and strengthens the original value of the text is its literary features, but being lyrical is a matter of content, and the lyrical text increases its quality by resorting to the features of the literary language. Despite this, lyrical texts without literary ...
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When dealing with a literary text, what is assumed and strengthens the original value of the text is its literary features, but being lyrical is a matter of content, and the lyrical text increases its quality by resorting to the features of the literary language. Despite this, lyrical texts without literary features are more or less ignored. Among the types of lyrical words, complaint requires the closest proximity to reality, and basically, a complaint whose subject is a complaint about an imaginary matter, will not have any meaning from the point of view of being a complaint for the audience. This judgment is more stable in the case of political complaints. Based on this, it seems that in order to open the chapter of research in the field of non-literary language of lyrical texts or what is called referential language, complaint research is a suitable choice. In this research, a political complaint has been selected from the text of Rāwandi's "Rāhat al-Sodur" and the quality of the retention of the referential aspect of the language of this text has been examined. Studies show that the prose format is more favorable than poetry in adopting the reference language for complaints, but we think that the principle in advancing this approach is the realistic identity of the complaint. This realistic identity has caused Ravandi to ignore the original elements of rhetoric and to limit the expressive elements to only a few and more important ones, which are weak and ineffective,
علمی- پژوهشی
fatemeh hayatdavoodi
Abstract
Nature plays an important role in shaping human actions, which has suffered disturbances in the present era. Such a category is prominent in Adnan Ghorayfi's fictional works. For this reason, we will answer the question with a descriptive-analytical method, what factors were involved in moving nature ...
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Nature plays an important role in shaping human actions, which has suffered disturbances in the present era. Such a category is prominent in Adnan Ghorayfi's fictional works. For this reason, we will answer the question with a descriptive-analytical method, what factors were involved in moving nature away from its place of object and of course those environmental and human crises in societies of Adnan Ghorayfi's fictional works? The results of research indicate that dominant discourses on Adnan Ghorayfi's fictional society are destructive discourses and have disrupted nature and removed it from its place as an object, objectifying nature according to utilitarian and developmentalist view that is manifested in colonial and authoritarian discourses. , provoked actions in people and made them face crises that we saw in the authoritarian discourse of power and accompanying political economy and in the wake of it pollution and destruction of nature and breakdown of human bonds in story collection "Palm Mother", in discourse of development and the application of disciplinary techniques of developed bourgeois societies for urban development and disturbance in nature and human life in the story collection "Four Apartments in Tehran Pars", in authoritarian discourse and construction of subjects and a prison-like society, and influence of power in all levels of biological and human life and prisoner nature due to unstable development in story collection "Cloaked in the Fog", in discourse of capitalism and shaping of people's actions and subsequent damage to nature in the story " Lovebird ".
علمی- پژوهشی
. Epicical and Mythical Literature
Khalil Kahrizi
Abstract
One of the fundamental concepts in the mythology of the world is growth which can be seen in some of the most important Iranian myths. With the help of this concept, important stories of Iranian myths can be analyzed. In addition to the famous motif that are made from the concept of growth and can also ...
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One of the fundamental concepts in the mythology of the world is growth which can be seen in some of the most important Iranian myths. With the help of this concept, important stories of Iranian myths can be analyzed. In addition to the famous motif that are made from the concept of growth and can also be seen in Iranian myths, a motif has emerged in which demonic creatures can also reproduce. We have called this principle the Increase of evil. In this article, first, we have found the most famous examples of it in the myths of non-Iranian nations. Then we have also searched for it in Iranian myths. In Iranian epics, we have searched and analyzed this theme in the number of wonders that the warrior must seek help from spiritual forces and ritual methods to overcome them, in Garshasabnameh and some folk and oral epics. The Increase of evil with the spread of mystical literature in Iran is seen in connection with the concept of ego. This article is the result of an effort to introduce the principle of the increase of evil and its example in Iranian texts.
علمی- پژوهشی
Sufism and Mysticism
mir jalil akrami; Ahmad farshbafian; saber masoumi
Abstract
The treatise *Fi Haqiqat el-eshq* (Munesol oshshaq) by Sohrawardi (549-587 AH), while referring to the mystical manifestations of love and its states in the two stories of the creation of Adam and the Prophet Yusuf, provides the possibility of analysis and interpretation through the lens of Roland Barthes' ...
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The treatise *Fi Haqiqat el-eshq* (Munesol oshshaq) by Sohrawardi (549-587 AH), while referring to the mystical manifestations of love and its states in the two stories of the creation of Adam and the Prophet Yusuf, provides the possibility of analysis and interpretation through the lens of Roland Barthes' five codes. Barthes' model is a systematic and creative approach to analyzing narratives and stories. Barthes views every text dynamic, and possessing semantic multiplicity, believing that the fertility and fluidity of the text distinguish one text from another. Sohrawardi, while discussing the mystery of the creation of beauty, love, and sorrow in a Neoplatonic manner and utilizing Zoroastrian thought and subtle Quranic points, delves into their place in Illuminationist cosmology and epistemology. Mystics such as Ghazzali and Baqli Shirazi consider beauty, love, and sorrow as fundamental elements of spiritual journeying, with love being the result of the manifestation of beauty and sorrow resulting from fear. This article, using an analytical-descriptive method, examines the hidden voices in Sohrawardi's * Fi Haqiqat el-eshq * and reveals aspects of the codes to the reader. Given the wide range of symbols the mentioned treatise is of the type of open texts, where the reader is not passive; rather, by employing their creativity, they utilize their own inventive method in an attempt to stabilize meaning. Barthes' suggestion for this type of reading is the invention of a method through which the text is deconstructed and disseminated, and the reader is present as the producer of the text.
