Literary theories
fatemeh jamali; Gellareh Alvandpour; narges mohamadibadr
Abstract
Rumi and Shams Discourse Analysis in the Expression of Love Based on Halliday's TheoryIn the current research, a romantic discourse of Rumi and Shams has been analyzed based on the order of Halliday's role orientation. Examining the text (speech and writing) in discourse analysis takes place beyond ...
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Rumi and Shams Discourse Analysis in the Expression of Love Based on Halliday's TheoryIn the current research, a romantic discourse of Rumi and Shams has been analyzed based on the order of Halliday's role orientation. Examining the text (speech and writing) in discourse analysis takes place beyond the formal structures of the language. In romantic words and texts, according to the speaker's abstract expression, mental images are coded in a special way. The main goal of this research is to find out how emotions are represented in this romantic discourse, as well as to find similarities and possible differences in the expression of their internal feelings. This research answers the question of how the characteristics of Rumi and Shams' romantic speech are determined based on Halliday's role-oriented order. The hypothesis of the research is that Halliday's role-oriented order is efficient in analyzing the discourse of romantic texts. Based on this, a sonnet by Rumi and a romantic expression by Shams Tabrizi have been selected as a case in point so that we can obtain broader dimensions of this discussion. the context of the text in a descriptive-analytical way has been investigated with the help of all three ideological, interpersonal and textual trans-roles. The findings of the research show that the high frequency of the behavioral process in Moulana's sonnet shows his visual experience of his lover and his special attention to the description of his beloved's behavioral states. The high frequency of the existential process in the words of Shams reveals the concept of the existence of this love.
Literary theories
Sayyed Ahmad Parsa; Negin Rostami
Abstract
Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective ...
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Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective of their functions by using Researchers of Persian literature have studied the use of Quranic verses by poets in their poems only with a rhetorical approach and have been unaware of their goals in using these verses. The present study examines this issue in Anwari's poems and tries to analyze Qur'anic verses from the perspective of their functions by usingJari and Matching. The research method is descriptive-analytical. The statistical population is 207 poems of Divan Anvari, Modarres Razavi correction and sample size according to Cochran's formula 132 poems that have been selected using simple random sampling method. The result shows that Anwari has adapted the Qur'anic concepts and themes to his desired subjects by using the Jerry rule and applying the verses; In such a way that the final theme of his poem is far from the dignity of the true revelation of verses. In other words, he has used Qur'anic concepts with functions such as persuading the audience, magnifying, reasoning, expressing his discourse, and the like, in a concise and adaptive manner in his poems, which are discussed in detail in the text of the article.
Soussan Jabri; Maryam Jafari
Volume 69, Issue 233 , January 0, , Pages 71-93
Abstract
This paper aims to investigate speech acts in the mystical interpretation section of KashfolAsrar va ‘OdatolAbrar. The method used in this study is John Robert Searle’s theory and his five-group classifications of speech acts and systematic survey of utterances. The analysis of data shows ...
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This paper aims to investigate speech acts in the mystical interpretation section of KashfolAsrar va ‘OdatolAbrar. The method used in this study is John Robert Searle’s theory and his five-group classifications of speech acts and systematic survey of utterances. The analysis of data shows that declarations are of highest frequency with 55% of all speech acts and the goal behind using them is to express Meibodi’s Sufi beliefs mostly expressed in the words of God and great figures of Tarighat. The second place belongs to expressives with 26% which are quoted from the tongue of God and their aim is to evoke the emotions of the reader and persuade him/her. Directives occupy the third place with 15% frequency. The lower frequency of such speech acts shows that the persuasion of the addressee and explicit propagation is not so much regarded by great Sufis and is used less. The fourth place is for commissives with 2% which guarantees God’s kindness and generosity in His words. Finally, assertives with lower than 1% of frequency express the principles of the religion from the viewpoint of God and the Quran. The analysis of these speech acts also reveals the hidden stance of Meibodi apropos the intellectual trends of his time and shows his presence in the midst of conflicts between Sharia’t and Tarighat followers and also the dispute between Sufi sects of Love and Asceticism in the Hirat of sixth century (A.H) and his critical view of such intellectual trends. At last, Meibodi’s strategy for collecting, recording and organizing a coherent mindset out of the avant-garde Sufi great figures’ ideas is revealed.
