Literary theories
Ebrahim Eghbali; Abasalt AhmadiDizaj; Mohammad Khakpour; Mohammad reza Abedi
Abstract
Enthusiasts of Iranian culture and literature Subcontinental countries, etc. have always been in search of literary inspiration and a correct understanding of Persian Texts, they have been diligent in understanding them, and from their own and others' point of view, they have described works such ...
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Enthusiasts of Iranian culture and literature Subcontinental countries, etc. have always been in search of literary inspiration and a correct understanding of Persian Texts, they have been diligent in understanding them, and from their own and others' point of view, they have described works such as Ganjavi's Nezami Sharafnameh have been paid. In this article, the authors have emphasized the use of words, written morphology and grammar in the manuscripts of Ganjavi's Nezami Sharafnameh, using a library method. They describe them according to their linguistic and stylistic features. The results of this study, after briefly introducing the manuscripts of Sharafnameh's commentaries as scientific-literary texts, show that all the commentators have a good command of the Persian language in view of their geographical area, the Indian subcontinent, and explain the meanings and concepts in simple, comprehensible words and sentences. , explicit, clear and consistent with the standard language of India and even Iran at that time, they have directly transmitted. While writing in a simple way, they used Arabic and native words or the terms of literary techniques and...and avoided exaggeration and the use of synonyms In addition, in the written explanations, grammatical coordinates such as extra descriptive syntactic combinations, Arabic combinations and...are used and the prose has removed them from uniformity, so the style In terms of vocabulary and morphology, in the components of selection, invention and ...they are more in line with the features of Ghaznavid and Seljuk period (intermediate) prose, which indicates that their prose is scientific.
Hamid Reza Farzi; Mohammad Reza Abedi
Volume 67, Issue 230 , January 0, , Pages 113-134
Abstract
Myths as primitive human insight about human and world are usually reflected in culture and literature of the nations in transformational way. Marzban book is one of the texts that myths and legends can be traced in them. In this article, mythical themes of the story of Shahriyar Babel with Shahriyarzadeh ...
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Myths as primitive human insight about human and world are usually reflected in culture and literature of the nations in transformational way. Marzban book is one of the texts that myths and legends can be traced in them. In this article, mythical themes of the story of Shahriyar Babel with Shahriyarzadeh in Marzban book have been investigated. It is assumed that this story depicts rituals and ceremonies of initiation. Therefore, content analysis of the story proved conformity of this story with initiation ceremony so that all elements and steps of initiation including solitude, separation, taking trainees to the hunting ground, hardship (torture), climbing up the tree and etc are seen. Of course, there are symbolic and archetypical elements in the text related to the main content (initiation) and these elements have been analyzed accordingly.
Mohammadreza Abedi
Volume 68, Issue 232 , January 0, , Pages 109-131
Abstract
رمانهای اجتماعیِ پس از مشروطه، محصول جامعۀ دورۀ گذر از سنت به تجدد و میل به رهایی مطلق از سنتهای گذشته بود. در غالب این رمانها دین به عنوان شالودۀ سنن گذشته، آماج ...
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رمانهای اجتماعیِ پس از مشروطه، محصول جامعۀ دورۀ گذر از سنت به تجدد و میل به رهایی مطلق از سنتهای گذشته بود. در غالب این رمانها دین به عنوان شالودۀ سنن گذشته، آماج بیشترین انتقادها قرار گرفت. رماننویسان این دوره در پی آن بودند که فرد را در جامعه، نزدیک به آنچه در عالم واقع اتفاق میافتد، به تصویر بکشند؛ اقتضای واقعگرایی ارائه تصویری است که خوبیها و هنجارها را نیز در کنار نارواییها و پلشتیها بنمایاند. مسئله این است که نویسندگان در تصویری که از طیف مذهبی جامعه در قالب داستان بازنمودهاند، صرفا بر روی بخشی از این طیف، یعنی شخصیتهای منفی و متظاهر تمرکز کرده و عملاً خصوصیات آنها را به دیگر تیپهای مذهبی تعمیم دادهاند. آنها در این بین تیپ مذهبیِ دیندارِ راستین را تقریباً نادیده انگاشتهاند. در قریب به اتفاقِ مواردی که شخصیتی مذهبی در رمانهای اجتماعی حضور دارد، کانون تمرکز، رفتارهای منفی، گناهآلود و ریاکارانۀ اوست؛ از این رهگذر آثار مذکور غالبا از نوعی پیشداوری نسبت به مذهب رنج میبرد. به نظر میرسد، در پدیدآمدن چنین ذهنیتی تأثیر نوع نگاه غربی به دین ـ در مفهومِ کلیسایِ خردگریز و علمستیزِ قرونِ وسطاییـ که دین را در هیئتی منفور و تیره میدید، نمیتواند بیتأثیر باشد؛ نگارنده با مطالعۀ آثار داستاننویسان بزرگ نیمۀ نخست سدۀ حاضر، تیپهای مذهبی شاخص را انتخاب کرده و در قالب چهار تیپِ روحانی، مذهبی غیر روحانی، زنان مذهبی و تیپهای غیر مذهبی متظاهر به مذهب، به صورت تحلیلی بررسی کرده است. بررسی مولفههای شخصیتی تیپهای مذکور نشان داد که نگاه منفی به تیپهای مذهبی و تعمیم صفات تیپ مذهبی ریاکارِ گناهآلود به دیگر طیفهای مذهبی، تقریباً در همه داستانهای این دوره، با اندکی تفاوت در شدت و ضعف، یک امر شایع است.
Mohammad Mahdipour; Ahmad Farshbafeian; Mohammad Reza Abedi; Hosain Hasanzadeh
Volume 69, Issue 233 , January 0, , Pages 161-180
Abstract
Shahnameh the symbol of the Iranian unity is the terrestrial-humanity book which none of the components of biological needs of human being is not forgotten in it. This sega is the biggest Iranian cultural resentation in the following several hundred years of spread of intellectual battle with thinking ...
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Shahnameh the symbol of the Iranian unity is the terrestrial-humanity book which none of the components of biological needs of human being is not forgotten in it. This sega is the biggest Iranian cultural resentation in the following several hundred years of spread of intellectual battle with thinking top and arab policy of racial prejudice that could make national ancient stories in verse and offered the most important nation cultural capital of Iranian to humanity.the structure of this Sega is designed in such a way that it is not possible to ignore its collectivity of the terms of a utopia and also it seems that it is impossible to apart the spirit of Islamic philosophy from it. The big importance of the Iranian Sega is in the How to site wars and many components of hard war and soft war and multiple ways of confronting with the enemy psychological warfare is seen in this great work . this research is going to review and analysis one of the most famous psychological warfare of Rostam with Ashkbous Koshani according to techniques of soft war which matches the definitions of contemporary scholars at home and abroad and also analysis enjoying frequency ancient civilization owners of pre-islamic iran through the best practices and aggressive defense.
