Lyrical and Didactic Literature
rashid asadi valiloo; Mohammad Ali Mousazadeh
Abstract
When dealing with a literary text, what is assumed and strengthens the original value of the text is its literary features, but being lyrical is a matter of content, and the lyrical text increases its quality by resorting to the features of the literary language. Despite this, lyrical texts without literary ...
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When dealing with a literary text, what is assumed and strengthens the original value of the text is its literary features, but being lyrical is a matter of content, and the lyrical text increases its quality by resorting to the features of the literary language. Despite this, lyrical texts without literary features are more or less ignored. Among the types of lyrical words, complaint requires the closest proximity to reality, and basically, a complaint whose subject is a complaint about an imaginary matter, will not have any meaning from the point of view of being a complaint for the audience. This judgment is more stable in the case of political complaints. Based on this, it seems that in order to open the chapter of research in the field of non-literary language of lyrical texts or what is called referential language, complaint research is a suitable choice. In this research, a political complaint has been selected from the text of Rāwandi's "Rāhat al-Sodur" and the quality of the retention of the referential aspect of the language of this text has been examined. Studies show that the prose format is more favorable than poetry in adopting the reference language for complaints, but we think that the principle in advancing this approach is the realistic identity of the complaint. This realistic identity has caused Ravandi to ignore the original elements of rhetoric and to limit the expressive elements to only a few and more important ones, which are weak and ineffective,
Lyrical and Didactic Literature
Meisam Jafarian Heris; Mohammad Ali Mousazadeh
Abstract
Criticism and Correction of Twelve Verses of Hafez Based on Textual Documentation and Rhetorical Techniques Meisam Jafarian Heris 1Mohammad Ali Mousazadeh 21 Persian Literature and Language, Faculty of Persian Literature and Foreign Languages, University of Tabriz, Tabriz, Iran2 Assistant Professor ...
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Criticism and Correction of Twelve Verses of Hafez Based on Textual Documentation and Rhetorical Techniques Meisam Jafarian Heris 1Mohammad Ali Mousazadeh 21 Persian Literature and Language, Faculty of Persian Literature and Foreign Languages, University of Tabriz, Tabriz, Iran2 Assistant Professor of University of Tabriz, Tabriz, Iran The previous custom in correcting the texts was that the most archaic manuscript was absolutely the basis, and except for gross errors in the oldest manuscript, they did not consider it permissible to deviate from the oldest recording. Although this method was correct in most of the revised texts, the nature of Hafez’ poems and the variety of his sonnets were such that in the work of correcting his poetry, relying only on the oldest manuscript does not lead to a superior recording. On the one hand, Hafez was constantly in the process of completing various aspects of his poetry and possibly changing and modifying them, and on the other hand, he did not collect his poems himself, and the oldest written copy of Hafez’ Divan is dated after his death, which is said to have been collected by Mohammad Golandâm. It is possible that other people have been assigned to collect and edit Hafez’ sonnets. Based on this, in addition to the fact that we are faced with several original copies, the existence of numerous secondary manuscripts as well as the distortions of the scribes in his Divan, and the number of recordings in some verses and disagreements about them have caused that only referring to the older manuscripts will not cause these disagreements to disappear. In such a case, one of the ways is to examine disputed verses based on textual/semantic documents and rhetorical techniques
Persian Rhetoric and Grammar
Mohammad Ali Mousazadeh; mohamad Tahery khosroshahi
Abstract
According to historical and cultural evidence, the Caucasus has historical commonalities and long-standing cultural ties with Iran and its people. One of these common areas that have created many bilateral effects on the cultural and historical relations between Iranians and the Caucasus nation, is literary ...
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According to historical and cultural evidence, the Caucasus has historical commonalities and long-standing cultural ties with Iran and its people. One of these common areas that have created many bilateral effects on the cultural and historical relations between Iranians and the Caucasus nation, is literary issues and the field of poetic origins and research related to language and literature. Critical studies of the works of writers such as Nezami Ganjavi, Khaghani Shervani, Mujir Belqani, Vale Daghestani, etc. show that the poetic language of these speakers cannot begin with these poets and reach the peak of maturity in their speech. Undoubtedly, there has been a tradition and a history, and hundreds of thousands of artists and virtuous people have been involved in artistic creation before, so that great people such as Khaghani, Nezami, and Mujir could emerge from among them. In this regard, one of the most important branches of the Persian language and literature in the Caucasus is the writing of Persian grammar books and dictionaries. An in-depth look at the historical course of the authorship of these books shows that the pioneers of compiling books on dictionaries and Persian grammar were the Caucasians. The region of the Caucasus plays a very important role in the history of compiling grammar books. This region was either the motherland of the authors or the host of the non-native authors who settled in that area..
