Document Type : علمی- پژوهشی

Authors

• Rahman Moshtaqhmehr ¹
• mahnaz nezamianbaran ²

¹ Proffessor.Department of in Persian Language and Literature, Faculty of Literature and Humanities, Azarbaijan Shahid Madni University,Tabriz, Iran

² PhDGraduated,Persian Language and Literature, Faculty of Literature and Human Sciences, Shahid Madani University of

Abstract

In addition to the existence of a considerable number of quatrains of previous poets among the quatrains attributed to Rumi, there are also quatrains in his Diwan that Rumi paid attention to and took inspiration from the quatrains of them. Sometimes he quoted a verse or stanza from others quatrains and in many cases he followed the structure of the quatrains of his predecessors. In this research, by examining and comparing the quatrains of Rumi with the existing and available quatrains of previous poets, the sources of inspiration and influence of Rumi from the quatrains of the previous poets were determined to some extent. In contemporary literary criticism, in the context of the relationship of one text with other texts, this category of Molana's quatrains in Genet's theory of intertextuality is placed in two areas of non-explicit and implicit intertextuality and is adaptable with it. Rumi has been inspired by many previous poets in his quatrains, but the main sources of his inspiration in his quatrains belong to poets such as Sanai, Ohaduddin Kermani, Attar and Khayyam Neishaburi.

Keywords

• intertextuality, Rumi'
• s quatrains, previous poets, ancient texts

Main Subjects

• Sufism and Mysticism