Mohammad Pashai; Abolfazl Ramazani
Volume 70, Issue 235 , January 0, , Pages 17-38
Abstract
Realistic story writing in Persian literature was common among the writers since the beginning of story writing in the new style until present and most of the great contemporary writers have employed these realistic elements in their works. Jamalzadeh was one of the first Iranian writers who combined ...
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Realistic story writing in Persian literature was common among the writers since the beginning of story writing in the new style until present and most of the great contemporary writers have employed these realistic elements in their works. Jamalzadeh was one of the first Iranian writers who combined the old traditions of story writing with European story writing techniques and wrote the first Persian short story. His first collection of short stories, “Once Upon a Time” marks the beginning of the Iranian realistic literature. On the other hand, the fictions of Jalal Al-e Ahmad demonstrate the traditional life and religious environment of some part of the society which have been exposed to civility and modernity. Al-e Ahmad has tried to represent social life realities by expressing his critical view in his stories and he never victimized reality and truth for the sake of artistic visualization. In his opinion, the mission of story writing is critical reflection of reality in the first place. Therefore, this article aims to investigate the realism components in the fiction of Jamalzadeh and Al-e Ahmad as prominent writers of Iranian fiction, and compare their realism components as an aid to the analysis of their personal style and a tool for explaining the Iranian fiction. Both writers have employed the story writing realistic components and principles including characterization, description, language, and realistic theme for narration of the stories.
Nasser Alizadeh; Tahere Nazari Anamaq
Volume 70, Issue 235 , January 0, , Pages 153-180
Abstract
Post-modernism is a rebellion against the beliefs of one-dimensional and mono sound.That does not include any mind and a certain boundary and at any time and in any place emerges and language for the collapse of beliefs that take on the right form in society. Although the term postmodern in this article ...
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Post-modernism is a rebellion against the beliefs of one-dimensional and mono sound.That does not include any mind and a certain boundary and at any time and in any place emerges and language for the collapse of beliefs that take on the right form in society. Although the term postmodern in this article are borrowed from Western literature and theory and suggests thinking of another culture and language but the aim of this school and its functions is universal. The adaptation is one of the postmodern components that Hafez has used to combat the singularity of the great narratives and has led the society's mentality to pluralism in the realities and its acceptance. He combines the styles, ideas and literary types of the past, such as the philosophical thinking of Khayyam, parody, praise and mystical literature using the element of satire, along with the shaking of the dominant philosophical elements of society, which is condemned to be inferior and presided over And self-made constructs of reality in the form of a pseudo-independent society on paper. And using the double confrontation of the Kharabat against the Khaneghah, Pir-e Khanqah is placed against Pir-e Moghan and.... He does not seek to sit his own theory in this direction, but also opposes the voices of the opposition. In this article we have tried to match the postmodern philosophical school in the ghazels of Hafez measure and as much as possible we show the space and transcendental poets and classical world literature. In addition to the adaptation, postmodern components of uncertainty, carnival, decay of narratives, and short stories have survived in the nuns.