University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220Implicit simile in the contemporary traditioalist poetry, its types and functions ( By emphasis on the works of Bahar Shahriyar Rahi Sayeh and Amiri FiroozikuhiImplicit simile in the contemporary traditioalist poetry, its types and functions ( By emphasis on the works of Bahar Shahriyar Rahi Sayeh and Amiri Firoozikuhi1312626FAEbrahimEghbalyAssistant Professor of university of TabrizJournal Article20130225University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220Critical and analytical look on semantic and structural place of some motives in saeb's poetryCritical and analytical look on semantic and structural place of some motives in saeb's poetry33602627FAMohammadKhakpourAssistant Professor, university of Tabriz0000-0003-0957-5903Journal Article20130601According to his remaining literary works, saeb tabrizi is the most eloquent and rhetorical poet of narration style in his period in terms of Iranian and Hindi branch of Hindi style. Poet motives in content and creation of exotic and unrealistic images which considered an appropriate field among poets of Hindi style for manifesting the reader's wonder and chanter's performance play a significant role in saeb's poetry. Through motives and also complex association series he established an equation and creating correspondent relations between two hemistiches that are done only for creating new and various contents. However, despite the efforts of the poet, the poetry often leads to pains and artifice and gets far from his emotional outburst.
Indulgence in fantasy, hard saying and hard approving, is seen better in his poem when the poem like other followers of Hindi
style, changes motives in to the equation and arriving at the ultimate aim of the poem that is, content creating, which we can't understand their significance and concept, today, except through the cultures of safari era. However, when the emotional dimension balance of word and meaning and solidarity of lyrics overcome the theme making, and creation of complex and amazing relations, Saeb's single – couplets and his bright.According to his remaining literary works, saeb tabrizi is the most eloquent and rhetorical poet of narration style in his period in terms of Iranian and Hindi branch of Hindi style. Poet motives in content and creation of exotic and unrealistic images which considered an appropriate field among poets of Hindi style for manifesting the reader's wonder and chanter's performance play a significant role in saeb's poetry. Through motives and also complex association series he established an equation and creating correspondent relations between two hemistiches that are done only for creating new and various contents. However, despite the efforts of the poet, the poetry often leads to pains and artifice and gets far from his emotional outburst.
Indulgence in fantasy, hard saying and hard approving, is seen better in his poem when the poem like other followers of Hindi
style, changes motives in to the equation and arriving at the ultimate aim of the poem that is, content creating, which we can't understand their significance and concept, today, except through the cultures of safari era. However, when the emotional dimension balance of word and meaning and solidarity of lyrics overcome the theme making, and creation of complex and amazing relations, Saeb's single – couplets and his bright.University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220An investigation on the presentation of Irony in Parvin E'tesami's Idea and PoetriesAn investigation on the presentation of Irony in Parvin E'tesami's Idea and Poetries61962628FAAliSafayiAssociate Professor of University of Gilanorcid 0000-0003-4059HosienAdhamiM.A student of University of Gilan0000-0003-4390-5144Journal Article20140120University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220Evolution of QeysarAminpour from epic idealism to tragic realismEvolution of QeysarAminpour from epic idealism to tragic realism971182629FAAsgarAsgariHasanklouAssistant Professor
TarbiatMoallem UniversityJournal Article20140112QeysarAminpour is one of the most prominent poet after Islamic revolution, the theme of his poem sometimes has a direct and artistic association with the iran’s social, political and cultural changes, in last decades. This article review how society and it’s changes affetaminpour’s opinion, thinking and language, also it tries to show the evolution of his poetical thoughts and social opinion to take into view the date of publication of his works. In this review the emphasis is on the transition of general theme of his poems, like heroic idealism, martyrdom, personal and social suffering, and mystical and philosophical thoughts about the nature of the death, aminpour, at the time of the victory of Islamic revolution and after that- occurrence of the imposed war- used the poem as a weap on and tool for creating excitement and emotion in his audience, in the 70’s decade. He thought about his own sufferings and people’s, so he compose his most beautiful poems. In the 80’s decade he represent his last thinkings about his tragic «situation» in a philosophical and hopelessly view in a possible way; a «situation», which become his countless audience ones.
QeysarAminpour is one of the most prominent poet after Islamic revolution, the theme of his poem sometimes has a direct and artistic association with the iran’s social, political and cultural changes, in last decades. This article review how society and it’s changes affetaminpour’s opinion, thinking and language, also it tries to show the evolution of his poetical thoughts and social opinion to take into view the date of publication of his works. In this review the emphasis is on the transition of general theme of his poems, like heroic idealism, martyrdom, personal and social suffering, and mystical and philosophical thoughts about the nature of the death, aminpour, at the time of the victory of Islamic revolution and after that- occurrence of the imposed war- used the poem as a weap on and tool for creating excitement and emotion in his audience, in the 70’s decade. He thought about his own sufferings and people’s, so he compose his most beautiful poems. In the 80’s decade he represent his last thinkings about his tragic «situation» in a philosophical and hopelessly view in a possible way; a «situation», which become his countless audience ones.
University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220the inferential concept of definition in Persian literaturethe inferential concept of definition in Persian literature1191372630FAAhmadGoliProfessor, Shahid Madani University of AzarbaijanFarhadMohammadiPHD student of Azarbaijan Shahid Madani universityJournal Article20140107University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220Transit of the praised person to the virtual and real beloved in romantic sonnetTransit of the praised person to the virtual and real beloved in romantic sonnet1391572631FAMehdiMahooziprofessor at Islamic Azad university of RoudehenRaheleAbdolahzadehborzooassistant professor of Islamic Azad University of ShirvanJournal Article20140219University of TabrizJournal of Persian Language & Literature (Former Journal of the Faculty of Literature, University of Tabriz)2251-79796622820140220the study of Sanaeis philosophical - mystical concepts about ontology in Hadigathe study of Sanaeis philosophical - mystical concepts about ontology in Hadiga1591782632FAAlirezaMozaffariAssociate Professor, Urmia UnivaersityAliDalaei MilanPHD student of Urmia UniversityJournal Article20140517<em>Think to human and world creation is a fundamental question of human’s mind. Human’s always tried to find persuasive reply to this question. In Greek philosophy and Iranian theosophy by difference between Being and Essence replied to this question. Peripatetic philosophy, Illuminism and Sadra, expressed themselves sights. In Iranian mysticism by philosophy effects, build special thoughts to show correlate concepts with ontology. When Sanaei argued in Hadiga about world creation, non-being, intellect and general soul, form and matter, show him theosophical theories about antology. By study of these theories, we can understand "Sage" title for Sanaei is true and suitable. In this article, we study Sanaei,s sights about ontology in Hadiga. </em> <br /><em> </em><em>Think to human and world creation is a fundamental question of human’s mind. Human’s always tried to find persuasive reply to this question. In Greek philosophy and Iranian theosophy by difference between Being and Essence replied to this question. Peripatetic philosophy, Illuminism and Sadra, expressed themselves sights. In Iranian mysticism by philosophy effects, build special thoughts to show correlate concepts with ontology. When Sanaei argued in Hadiga about world creation, non-being, intellect and general soul, form and matter, show him theosophical theories about antology. By study of these theories, we can understand "Sage" title for Sanaei is true and suitable. In this article, we study Sanaei,s sights about ontology in Hadiga. </em> <br /><em> </em>