University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 Implicit simile in the contemporary traditioalist poetry, its types and functions ( By emphasis on the works of Bahar Shahriyar Rahi Sayeh and Amiri Firoozikuhi Implicit simile in the contemporary traditioalist poetry, its types and functions ( By emphasis on the works of Bahar Shahriyar Rahi Sayeh and Amiri Firoozikuhi 1 31 2626 FA Ebrahim Eghbaly Assistant Professor of university of Tabriz Journal Article 2013 02 25 https://perlit.tabrizu.ac.ir/article_2626_e8a73ecb2925a975b61db0c9ca452663.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 Critical and analytical look on semantic and structural place of some motives in saeb's poetry Critical and analytical look on semantic and structural place of some motives in saeb's poetry 33 60 2627 FA Mohammad Khakpour Assistant Professor, university of Tabriz Journal Article 2013 06 01 According to his remaining literary works, saeb tabrizi is the most eloquent and rhetorical poet of narration style in his period in terms of Iranian and Hindi branch of Hindi style. Poet motives in content and creation of exotic and unrealistic images which considered an appropriate field among poets of Hindi style for manifesting the reader's wonder and chanter's performance play a significant role in saeb's poetry. Through motives and also complex association series he established an equation and creating correspondent relations between two hemistiches that are done only for creating new and various contents. However, despite the efforts of the poet, the poetry often leads to pains and artifice and gets far from his emotional outburst. Indulgence in fantasy, hard saying and hard approving, is seen better in his poem when the poem like other followers of Hindi style, changes motives in to the equation and arriving at the ultimate aim of the poem that is, content creating, which we can't understand their significance and concept, today, except through the cultures of safari era. However, when the emotional dimension balance of word and meaning and solidarity of lyrics overcome the theme making, and creation of complex and amazing relations, Saeb's single – couplets and his bright. According to his remaining literary works, saeb tabrizi is the most eloquent and rhetorical poet of narration style in his period in terms of Iranian and Hindi branch of Hindi style. Poet motives in content and creation of exotic and unrealistic images which considered an appropriate field among poets of Hindi style for manifesting the reader's wonder and chanter's performance play a significant role in saeb's poetry. Through motives and also complex association series he established an equation and creating correspondent relations between two hemistiches that are done only for creating new and various contents. However, despite the efforts of the poet, the poetry often leads to pains and artifice and gets far from his emotional outburst. Indulgence in fantasy, hard saying and hard approving, is seen better in his poem when the poem like other followers of Hindi style, changes motives in to the equation and arriving at the ultimate aim of the poem that is, content creating, which we can't understand their significance and concept, today, except through the cultures of safari era. However, when the emotional dimension balance of word and meaning and solidarity of lyrics overcome the theme making, and creation of complex and amazing relations, Saeb's single – couplets and his bright. https://perlit.tabrizu.ac.ir/article_2627_0d53f10734a3c48dc21aa9e28a97b803.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 An investigation on the presentation of Irony in Parvin E'tesami's Idea and Poetries An investigation on the presentation of Irony in Parvin E'tesami's Idea and Poetries 61 96 2628 FA Ali Safayi Associate Professor of University of Gilan Hosien Adhami M.A student of University of Gilan Journal Article 2014 01 20 https://perlit.tabrizu.ac.ir/article_2628_120fc6068ef87fb8a919f513ee2846b1.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 Evolution of QeysarAminpour from epic idealism to tragic realism Evolution of QeysarAminpour from epic idealism to tragic realism 97 118 2629 FA Asgar AsgariHasanklou Assistant Professor TarbiatMoallem University Journal Article 2014 01 12 QeysarAminpour is one of the most prominent poet after Islamic revolution, the theme of his poem sometimes has a direct and artistic association with the iran’s social, political and cultural changes, in last decades. This article review how society and it’s changes affetaminpour’s opinion, thinking and language, also it tries to show the evolution of his poetical thoughts and social opinion to take into view the date of publication of his works. In this review the emphasis is on the transition of general theme of his poems, like heroic idealism, martyrdom, personal and social suffering, and mystical and philosophical thoughts about the nature of the death, aminpour, at the time of the victory of Islamic revolution and after that- occurrence of the imposed war- used the poem as a weap on and tool for creating excitement and emotion in his audience, in the 70’s decade. He thought about his own sufferings and people’s, so he compose his most beautiful poems. In the 80’s decade he represent his last thinkings about his tragic «situation» in a philosophical and hopelessly view in a possible way; a «situation», which become his countless audience ones. QeysarAminpour is one of the most prominent poet after Islamic revolution, the theme of his poem sometimes has a direct and artistic association with the iran’s social, political and cultural changes, in last decades. This article review how society and it’s changes affetaminpour’s opinion, thinking and language, also it tries to show the evolution of his poetical thoughts and social opinion to take into view the date of publication of his works. In this review the emphasis is on the transition of general theme of his poems, like heroic idealism, martyrdom, personal and social suffering, and mystical and philosophical thoughts about the nature of the death, aminpour, at the time of the victory of Islamic revolution and after that- occurrence of the imposed war- used the poem as a weap on and tool for creating excitement and emotion in his audience, in the 70’s decade. He thought about his own sufferings and people’s, so he compose his most beautiful poems. In the 80’s decade he represent his last thinkings about his tragic «situation» in a philosophical and hopelessly view in a possible way; a «situation», which become his countless audience ones.

https://perlit.tabrizu.ac.ir/article_2629_02e2abaa56874d283a049a19af1d7c40.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 the inferential concept of definition in Persian literature the inferential concept of definition in Persian literature 119 137 2630 FA Ahmad Goli Professor, Shahid Madani University of Azarbaijan Farhad Mohammadi PHD student of Azarbaijan Shahid Madani university Journal Article 2014 01 07 https://perlit.tabrizu.ac.ir/article_2630_4ffd5a089db881534bfba9f24a727138.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 Transit of the praised person to the virtual and real beloved in romantic sonnet Transit of the praised person to the virtual and real beloved in romantic sonnet 139 157 2631 FA Mehdi Mahoozi professor at Islamic Azad university of Roudehen Rahele Abdolahzadehborzoo assistant professor of Islamic Azad University of Shirvan Journal Article 2014 02 19 https://perlit.tabrizu.ac.ir/article_2631_8688a58a29b579e860ebb9902d08a4a6.pdf

University of Tabriz Persian Language and Literature 2251-7979 66 228 2014 02 20 the study of Sanaeis philosophical - mystical concepts about ontology in Hadiga the study of Sanaeis philosophical - mystical concepts about ontology in Hadiga 159 178 2632 FA Alireza Mozaffari Associate Professor, Urmia Univaersity 0000-0002-9586-4527 Ali Dalaei Milan PHD student of Urmia University Journal Article 2014 05 17 Think to human and world creation is a fundamental question of human’s mind. Human’s always tried to find persuasive reply to this question. In Greek philosophy and Iranian theosophy by difference between Being and Essence replied to this question. Peripatetic philosophy, Illuminism and Sadra, expressed themselves sights. In Iranian mysticism by philosophy effects, build special thoughts to show correlate concepts with ontology. When Sanaei argued in Hadiga about world creation, non-being, intellect and general soul, form and matter, show him theosophical theories about antology. By study of these theories, we can understand "Sage" title for Sanaei is true and suitable. In this article, we study Sanaei,s sights about ontology in Hadiga. Think to human and world creation is a fundamental question of human’s mind. Human’s always tried to find persuasive reply to this question. In Greek philosophy and Iranian theosophy by difference between Being and Essence replied to this question. Peripatetic philosophy, Illuminism and Sadra, expressed themselves sights. In Iranian mysticism by philosophy effects, build special thoughts to show correlate concepts with ontology. When Sanaei argued in Hadiga about world creation, non-being, intellect and general soul, form and matter, show him theosophical theories about antology. By study of these theories, we can understand "Sage" title for Sanaei is true and suitable. In this article, we study Sanaei,s sights about ontology in Hadiga.

https://perlit.tabrizu.ac.ir/article_2632_f92d40d6f80e5ddbb1d7778d1d02abf7.pdf